播放列表
猜你喜欢
2025
3.0分
剧情片
2025-12-23
2025
4.0分
剧情片
2025-12-23
2025-12-21
2025
3.0分
剧情片
2025-12-21
2025
1.0分
剧情片
瑟比耶·比赫缇娅 弗雷德·赫辛格 Alicher Adill 伊丽努尔·艾尔肯 Erden Uyghur Esther Chen Celine Cheung 杰西卡·马 Whitney Chi Winnie Guo Ella Rouwen Chen 加布里埃尔·弗曼 Joshua De Jesus Divina Ito Justin Cotta Jasmin Richardson Tien-Li
/
韩剧网-韩剧TV(Yizhipu.com)是中文最大的韩剧视频网站,为您提供彼岸2025高清在线观看
2025-12-21
《芳心封鎖》剧情介绍
布丁动漫提供影视作品芳心封鎖高清全集在线观看的影视全集网,剧情片《芳心封鎖》全集作品的导演是Gilberto Tofano ,由Gila Almagor 主演,芳心封鎖在豆瓣的评分为1.0,本片由小编于2025-04-18 09:03更新,希望大家喜欢,可以把《芳心封鎖》推荐给你朋友,本作品的地址为 https://www.gzkkz.com/acg/101401.html
《芳心封鎖》简介:
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.